Dal Niente/Beyond This Point: Steen-Andersen





Saturday, August 9, 2025
7:30 pm

Mary Flagler Cary Hall

Simon Steen-Andersen
Asthma, arr. 2025*
for solo bellows, ensemble, and video
* NY premiere
Ensemble Dal Niente/Beyond This Point

Simon Steen-Andersen
Run Time Error, 2009-2020-
for joystick-controlled video
Simon Steen-Andersen, solo performer

Simon Steen-Andersen
Black Box Music, 2012*
for amplified box, ensemble, and video
* NY premiere
Ensemble Dal Niente/Beyond This Point

Ensemble Dal Niente

Zachary Good, clarinet
Ben Roidl-Ward, bassoon
Tom Snydacker, saxophone
Charles Roberts, trumpet
Riley Leitch, trombone
Matthew Oliphant, french horn
Ammie Brod, viola
Isidora Nojkovic, cello
Zoe Markle, double bass
Greg Beyer, percussion
Kyle Flens, percussion
Rebecca McDaniel, percussion
Zaira Castillo, piano
Jesse Langen, guitar
Ben Melsky, harp
Hunter Brown, Technical Director

Beyond This Point

John Corkill, percussion
Adam Rosenblatt, box soloist

Concert duration: 90 minutes

Beyond This Point appears with the friendly support of

Mary Flagler Cary Hall
DiMenna Center for Classical Music
450 W 37th Street
New York, NY 10018

Program Notes

Simon Steen-Andersen
Asthma (new arrangement for ensemble, 2025)

Andreas Borregaard, who premiered the piece, put it best: “Humans breathe with their lungs, accordions with their bellows. Breathing is vital to both. Through a video and a live-performed soundtrack, Asthma reveals the gentle beauty and terrifying horror of air currents.”

Simon Steen-Andersen
Run Time Error (2009-2020)

Run Time Error is an ongoing series of video performances filmed at distinctive locations, using only materials found on-site and occasionally incorporating elements or musicians closely connected to the place.

A second layer of performance can be added using a setup with two joysticks, doubling the video, and manipulating time independently for each screen. In this way, Run Time Error evolves into something between a video game and a two-part fugue.

Simon Steen-Andersen
Black Box Music (2012)

Black Box Music is scored for percussion solo, amplified box, fifteen instruments, and live video. The starting point is the classical soloist-conductor but, in this case, the conducting and the solo part are one and the same. The setting is a traditional theater stage with curtains, props, and lighting but, in this case, the stage is also an instrument. Black Box Music can be described as a deconstruction of conducting and puppet theater, as well as an exploration and exploitation of the audio-visual relationships inherent in conducting and staging. The ‘grand show’ is in three movements, beginning with Ouverture and Slow Middle Movement, and culminating in a festive, pompous Self-Imploding Finale.

Simon Steen-Andersen, Black Box Music (2012). Video still. Simon Steen-Andersen

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