EMPAC Wave Field System, Alessandrini, Fusi: Luigi Nono
Friday, August 18, 2023 7:30 pm
Mary Flagler Cary Hall
This program uses the EMPAC High-Resolution Modular Loudspeaker Array for Wave Field Synthesis, which enables the placement of sounds in space in a unique way for both composers and listeners.
Fusi and Alessandrini Proximity, distance – an homage to Luigi Nono, 2023 Improvisational exploration for violin, FeedBox, and the EMPAC Wave Field System
Luigi Nono La lontananza nostalgica utopica futura, 1988-89 for violin and 8-track tape recording adapted for the EMPAC Wave Field System
Marco Fusi
Violin
Patricia Alessandrini
Electronics
EMPAC Wave Field System
Todd Vos, Lead Audio Engineer
Stephen McLaughlin, Audio Engineer
Amadeus Regucera, Music Curator
Concert duration: approximately one hour and fifteen minutes
This concert is a collaboration between EMPAC and TIME:SPANS.
Mary Flagler Cary Hall DiMenna Center for Classical Music 450 W 37th Street New York, NY 10018
Luigi Nono La lontananza nostalgica utopica futura (1988)
Before becoming a score, La lontananza was a sonic space. It was a room, filled with the sounds of moving chairs, laughing and chatting, and microphones and a violin. Luigi Nono was sitting in that space, listening and taking notes, and pasting together sounds and ideas. His fascination with sounds is mixed with respect and appreciation for all of them, from the aristocracy of the nineteenth-century violin repertoire to the everyday experience of a slamming door. Such a composite set of elements are equally welcomed within the audio material that Nono assembled for this piece, designing an ever-changing soundscape that allows and demands performers to play along its heterogeneous components, treading their own path within the hour of sounds that Nono has offered. When his attention focuses on the violin, Nono sits close to the performer, entering the most intimate and secret space that no listeners ever access. Nono listens with the ears of the violinist, and together with them he explores the stuttering of the bow before the string, the uncertainty of the fingers exploring the fingerboard, searching a way into the oscillation of the sound before it is heard. It is within these minutiae that the violin utters its first sounds, and the listeners are drawn closer and closer to the strings, within the smallest of the dynamics. La lontananza is conceived as a mental space, and it develops as real space. The recorded material and the violin explore the unique peculiarities of each room where they perform, moving through islands of sounds and clouds of silence, estranged sounds and enveloping vibrations. Each performance develops in a different and unforeseeable experience. In our concert, Nono’s tapes are diffused through EMPAC’s Wave Field Synthesis Array, an innovative technology for sonic spatialization that allows an incredibly defined and flexible projection of the original materials, enhancing the possibilities for creative dialogue between the two performers and offering to listeners a unique listening experience.